On March 15th, 2018, the exhibition "German Myths since 1945" was opened at the "Haus der Geschichte" in Bonn. Barbara Weber-Dellacroce was particularly excited about the implementation of a barrier-free NFC audio guide for blind visitors.
The evening was, to say it in advance, very successful and justified the journey.
Numerous visitors filled the hall, so we were very happy to have arrived early enough. The opening words by Hans Walter Hütter (President of the Foundation "Haus der Geschichte" of the German Federal Republic) and Christoph Schwennicke (journalist and chief editor of the political magazine Cicero) were not only entertaining, exciting and dense, but also short, so that there was more time for the exhibition (and the thematically matching buffet with curried sausage, potato salad and meatballs).
The exhibition is well done in terms of content and design. At this point I would like to look at the mediation tools used. A variety of media are used in the exhibition. Many creatively designed flaps, drawers and peepholes encourage discovery. Here, questions are asked and answered, insights are granted, or longer texts are stored in a space-saving way.
Classic media stations are used in many places, some of which are also equipped with one-hand receivers for audio documents. A Selfie station with a red throne chair in front of the "Wir sind Papst" title page of the BILD newspaper invites you to take pictures.
Interestingly enough, the visitors on this evening used the analog offerings above all in a completely unbiased manner. It is certainly also due to the fact that visitors generally behave differently at an exhibition opening than during regular opening hours, but it was quite noticeable that I could hardly observe a visitor who dealt with the media stations more extensively. Personally, I did not have a volume control at the media stations that offered audio, the audios were simply too loud for me.
But we were particularly interested in the NFC-supported audio guide for blind visitors. In the following I would like to provide a critical analysis of the implementation.
The tactile floor guidance system was implemented very well. Here it was understood that digital offers for blind visitors do not yet work without tactile elements, especially not in small and curvy exhibitions like this one. On an almost black background, light grey, i.e. very contrasting, tactile lines, and fields of attention are placed. In this way, blind and visually impaired visitors are guided safely to the points of interest and the audio stations. Attractively designed pillars are positioned there, which have a tactile surface design.
The audio descriptions that are now played contain not only information about the objects, but also navigation hints through the room and room descriptions.
All this has (as far as I can judge as a seeing visitor), been implemented very well.
However, since we have been using NFC technology in various areas for years and have the corresponding know-how, we have noticed some points that are quite problematic.
In conclusion, the following should be noted: The idea of testing NFC for the audio guide is obviously a good one. Also, a kind of pilot test before introducing a technology is certainly correct and recommendable. However, I see considerable difficulties here. The test setup chosen here not only fails to exploit its potential, but also puts NFC in a much worse light than it should be. It is not just the chip that has to be attached and linked to a mobile website. Used correctly, a truly inclusive system could have been created that could offer all visitors intuitive access to the exhibition and perhaps also be a digital extension of the popular analogue stations. The exhibition has only just opened; improvements to the NFC test environment would still be possible with a manageable amount of effort. We are staying tuned and are eagerly awaiting the outcome.